In August of last year, a mixtape group I belong to had a new 'topic': history of a genre. The idea was we would each put together tapes that represented a survey of a musical genre of our choosing. 6 months have passed and I finally finished mine (in fact, I'm the only one to finish so far — it turned out to be way more ambitious than any of us expected).
I chose Space Age Pop, which is actually not really so much a genre as much as a collection of trends. I turn to the Space Age Pop Page for the best definition I've read:
This music might be characterized most easily by what it isn't. It's rarely simple enough in structure and instrumentation to be called rock (and certainly retains enough of a sense of humor to be disqualified as art rock). It's not serious or straightforward enough to be called jazz. It's often too esoteric or extreme to be called pop. It's in some middle ground between all of these, which means it's populated with the outcasts from other well-established genres. As a result, Space Age Pop is full of brilliant, bizarre, and exciting sounds, which are particularly striking to ears accustomed to the stereotypes that populate the more familiar genres.
In fact, I'm not even gonna bother trying to write about the genre, because that site is incredibly thorough and filled with tons of great recommendations and information about everything and everyone on the tape.
I will say, however, I decided on space age pop because I absolutely adore Esquivel and wanted to explore his contemporaries, roots, successors, etc. While he's still the god damned King of All Music, the best discoveries I made are Enoch Light, Buddy Morrow and Kai Winding.
Without further ado, here's the tracklist:
| # | Title | Artist | Original Album | Year | Sub-genres |
|---|---|---|---|---|---|
| 1 | Introduction | Bruce Haack | Electronic Record for Children | 1969 | Electronic / Experimental |
| 2 | Men Into Space Theme | Buddy Morrow | Double Impact | 1960 | Space |
| 3 | Watchamacallit | Esquivel | Exploring New Sounds in Stereo | 1959 | Bachelor Pad |
| 4 | Moon Gas | Dick Hyman & Mary Mayo | Moon Gas | 1963 | Space / Electronic |
| 5 | Computer in Love | Perrey & Kingsley | The In Sound from the Way Out | 1966 | Electronic |
| 6 | Lunar Rhapsody | Les Baxter & Samuel J. Hoffman | Music Out of the Moon | 1948 | Space |
| 7 | Mara's Moon | Bruce Haack | The Way Out Record for Children | 1968 | Space / Experimental / Spoken |
| 8 | Love | Ferrante & Teicher | Blast Off! | 1958 | Easy Listening / Space |
| 9 | Piano Concerto (Grieg) | Les Baxter | Moog Rock | 1968 | Electronic / Classical |
| 10 | My Number One Love | Esquivel | Exploring New Sounds in Stereo | 1959 | Bachelor Pad / Brill Building |
| 11 | Peanut Vendor | Perez Prado | Havana, 3am | 1956 | Latin |
| 12 | Mucha Muchacha | Esquivel | Latin-esque! | 1962 | Bachelor Pad / Latin |
| 13 | Soul Sauce | Cal Tjader | Soul Sauce | 1964 | New Sound |
| 14 | Brazil | Enoch Light | Persuasive Percussion | 1959 | Lounge |
| 15 | Mondo Cane #2 | Kai Winding | Mondo Cane #2 | 1963 | New Sound |
| 16 | Martinique | Martin Denny | Quiet Village | 1959 | Exotica / Tiki / Jungle |
| 17 | Sophisticated Savage | Les Baxter | Ritual of the Savage | 1952 | Exotica / Jungle |
| 18 | Aloha Oe | Enoch Light | Persuasive Percussion | 1959 | Exotica / Tiki |
| 19 | Deep In the Heart of Texas | Tak Shindo | Far East meets Western | 1968 | Oriental / Western |
| 20 | Experiment in Terror | Henry Mancini | Experiment in Terror | 1962 | Crime / Experimental |
| 21 | Perry Mason Theme | Leith Stevens | Jazz Themes for Cops & Robbers | 1958 | Crime |
| 22 | The Teaser | Pete Rugulo | Music from "Richard Diamond" | 1959 | Crime |
| 23 | Richard Diamond | Buddy Morrow | Impact | 1959 | Crime |
| 24 | Bye, Bye | Henry Mancini | Music from "Peter Gunn" | 1958 | Crime |
And you can grab it here! Feedback appreciated!
That's quite an exceptional mixtape you've assembled there, Danny. Tell me more of this shadowy group that you've pledged your allegiance to. First tell me about the pledge: are the lyrics kind of emo? Is there a Bright Eyes cover version I can get on a torrent site? Now to the group itself: how does one gain admittance into this "Illuminati of the house party?" This "Camarilla of the Milli Vanilla?" (Those are examples of forced rhyme. Still, I think you see what I'm getting at.) The preceding was also an example of a parenthetical aside. (As is this.) I think I'll stop now. Excelsior!