January 31st, 2008
With the release of Cloverfield and Lost coming back to television, alternate reality games are a flavorful ingredient in the thick soup that is the nerd zeitgeist. And maybe my soup spoon is too big, but I swore I was being wrapped up into a new ARG the other day when I received this text message from a number I didn't recognize:
I found the spy dog do u want it?
Everyone knows there's nothing more exciting than a spy dog, so with a mixture of caution and intrigue I replied:
I will require full specs before extraction of spy dog. Please send ASAP.
Where was this taking me? How deep could this rabbit hole go? Spy dogs are only ever trusted with the most dramatic of dossiers and microfilm. In the name of storytelling I've concealed the stunning reply. Prepare yourself, for the love of god, before you discover the shocking conclusion.
Read the rest of this entry »
Posted in Stories | 3 Comments »
January 25th, 2008


Awesome signage from here in San Francisco, near Amoeba Records at the end of Haight. Photos taken by my lovely fiancée, Ashleigh. Expect more great signs once we have the time to go around and hit up our favorites. There really are tons here in the city.
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January 10th, 2008
In August of last year, a mixtape group I belong to had a new 'topic': history of a genre. The idea was we would each put together tapes that represented a survey of a musical genre of our choosing. 6 months have passed and I finally finished mine (in fact, I'm the only one to finish so far — it turned out to be way more ambitious than any of us expected).
I chose Space Age Pop, which is actually not really so much a genre as much as a collection of trends. I turn to the Space Age Pop Page for the best definition I've read:
This music might be characterized most easily by what it isn't. It's rarely simple enough in structure and instrumentation to be called rock (and certainly retains enough of a sense of humor to be disqualified as art rock). It's not serious or straightforward enough to be called jazz. It's often too esoteric or extreme to be called pop. It's in some middle ground between all of these, which means it's populated with the outcasts from other well-established genres. As a result, Space Age Pop is full of brilliant, bizarre, and exciting sounds, which are particularly striking to ears accustomed to the stereotypes that populate the more familiar genres.
In fact, I'm not even gonna bother trying to write about the genre, because that site is incredibly thorough and filled with tons of great recommendations and information about everything and everyone on the tape.
I will say, however, I decided on space age pop because I absolutely adore Esquivel and wanted to explore his contemporaries, roots, successors, etc. While he's still the god damned King of All Music, the best discoveries I made are Enoch Light, Buddy Morrow and Kai Winding.
Without further ado, here's the tracklist:
| # |
Title |
Artist |
Original Album |
Year |
Sub-genres |
| 1 |
Introduction |
Bruce Haack |
Electronic Record for Children |
1969 |
Electronic / Experimental |
| 2 |
Men Into Space Theme |
Buddy Morrow |
Double Impact |
1960 |
Space |
| 3 |
Watchamacallit |
Esquivel |
Exploring New Sounds in Stereo |
1959 |
Bachelor Pad |
| 4 |
Moon Gas |
Dick Hyman & Mary Mayo |
Moon Gas |
1963 |
Space / Electronic |
| 5 |
Computer in Love |
Perrey & Kingsley |
The In Sound from the Way Out |
1966 |
Electronic |
| 6 |
Lunar Rhapsody |
Les Baxter & Samuel J. Hoffman |
Music Out of the Moon |
1948 |
Space |
| 7 |
Mara's Moon |
Bruce Haack |
The Way Out Record for Children |
1968 |
Space / Experimental / Spoken |
| 8 |
Love |
Ferrante & Teicher |
Blast Off! |
1958 |
Easy Listening / Space |
| 9 |
Piano Concerto (Grieg) |
Les Baxter |
Moog Rock |
1968 |
Electronic / Classical |
| 10 |
My Number One Love |
Esquivel |
Exploring New Sounds in Stereo |
1959 |
Bachelor Pad / Brill Building |
| 11 |
Peanut Vendor |
Perez Prado |
Havana, 3am |
1956 |
Latin |
| 12 |
Mucha Muchacha |
Esquivel |
Latin-esque! |
1962 |
Bachelor Pad / Latin |
| 13 |
Soul Sauce |
Cal Tjader |
Soul Sauce |
1964 |
New Sound |
| 14 |
Brazil |
Enoch Light |
Persuasive Percussion |
1959 |
Lounge |
| 15 |
Mondo Cane #2 |
Kai Winding |
Mondo Cane #2 |
1963 |
New Sound |
| 16 |
Martinique |
Martin Denny |
Quiet Village |
1959 |
Exotica / Tiki / Jungle |
| 17 |
Sophisticated Savage |
Les Baxter |
Ritual of the Savage |
1952 |
Exotica / Jungle |
| 18 |
Aloha Oe |
Enoch Light |
Persuasive Percussion |
1959 |
Exotica / Tiki |
| 19 |
Deep In the Heart of Texas |
Tak Shindo |
Far East meets Western |
1968 |
Oriental / Western |
| 20 |
Experiment in Terror |
Henry Mancini |
Experiment in Terror |
1962 |
Crime / Experimental |
| 21 |
Perry Mason Theme |
Leith Stevens |
Jazz Themes for Cops & Robbers |
1958 |
Crime |
| 22 |
The Teaser |
Pete Rugulo |
Music from "Richard Diamond" |
1959 |
Crime |
| 23 |
Richard Diamond |
Buddy Morrow |
Impact |
1959 |
Crime |
| 24 |
Bye, Bye |
Henry Mancini |
Music from "Peter Gunn" |
1958 |
Crime |
And you can grab it here! Feedback appreciated!
Posted in Mixtapes | 1 Comment »